Christina Nemecが選ぶ2015年ベストアルバム

12月26日 Christina Nemec
今回は、オーストリア・ウィーンより個性派レーベル comfortzone や、多名義で活動するアーティストChristina Nemecが選ぶ2015年ベストアルバムをご紹介。
1. SHELLEY PARKER 『Spurn Point』(Structure 2014)
met shelley in warsaw october 2014 – and her album accompanied me through 2015
2. Russell Haswell 『As sure as night follows the day』(Diagonal 2015)
Russel with Beats …
3. Various Artists 『When suddenly the ground shakes … the blackbird in me coming out』(comfortzon2 2015)
i asked some of my partners in crime to support me with a track – and i am overwhelmed by the result
4. Container 『LP』(Spectrum Spools 2015)
intense
5. IVIC 『In your Rosary』(Jsme Rec)
http://jsme.bigcartel.com/product/ivic-in-your-rosary
new berlin based label with some dark (post)techno sounds and beautiful artwork and concept
6. Sven-Ake Johansson 『Konzert für 12 Traktoren』(Trost 2015)
http://www.trost.at/label/releases/releases/?no_cache=1&tx_ttnews[tt_news]=256&tx_ttnews[backPid]=9
performed by 12 tractors
7. LCC 『D/evolution』(Editions Mego 2014)
spanish duo peter rehberg introduced to me early 2015 – their soundscapes immidiately got me
8. Mulllr 『Workers』(PROGRESSIVE FOrm/comfortzone 2015)
stunning album i am happy to be part of somehow as label 🙂
9. Shampoo Boy 『Crack』(Blackest Ever Black 2015)
Crack is our second album and i still feel its intense and modern in an oldschool way
10. Irradiation 『Gravitational Waves』(temp2014)
my partner and friend irradiation from vienna did a great dark (post)techno album
i love music and sometimes i hate music – but music is always been part of my life
best from vienna,
■ Christina Nemec
Christina Nemec, chra, who is a member of various band projects like Shampoo Boy (together with Peter Rehberg and Christian Schachinger) or the female berzerker formation SV Damenkraft, has succeeded in producing a significant LP, that merges dark techno and industrial with found sounds and ambient scapes, resulting in a compositoric minimalism that is ushering us in a state of existential trance.
Empty Airport«, Chra’s (CHRISTINA NEMEC) first LP on Editions Mego may be read as a reference to Brian Eno’s ambient classic, though this time we find ourselves in a territory of transit that sounds like a dystopian swan song on civilizatoric debris – a heteropia in which the listener restores himself in a surrounding that is emptied of human remains, having left just some ghostly echoes behind.

Curry Robo

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